文化符號(hào)學(xué)視域下朱仙鎮(zhèn)與滑縣兩地木版年畫色彩隱喻比較研究
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Abstract：Fromthe perspectiveofculturalsemioticstheory，this paperanalyzes thesimilaritiesanddifferencesincolorsymbols of woodblock New Year prints in Zhuxian Townand Huaxian County，studies andcompares the internal reasons for thecolor diferences betweenthetwoplaces，andexploresthemetaphoricalmeaningsasignedtocolors intheculturesofthetwoplaces andthe generationlogicbehind theirsymbols.Itwasfound thatalthoughthecolorsinboth placesareinfluencedbytraditional colors，the woodblock New Year prints in Zhuxian Townuseahigh-purityand strongcontrasting color system toconstruct a visualsemanticsystemof "driving awayeviland disasters，andpassingonetiqueteand teachings";The woodblock New Year prints of Huaxian，ontheother hand，createaharmonious aestheticorderof "gods protectingand elegant gods residing in the heart"through weak contrast andcolorharmony，which provides theoreticalreference forour future personalizedinheritanceof intangible cultural heritage.
KeyWords： Woodblock New Year Prints;Color Semantics：Cultural Icon;Folk Art;Color Locality
0 引言
朱仙鎮(zhèn)和滑縣雖相距僅百余里，但兩地木版年畫藝術(shù)風(fēng)格大相徑庭，在色彩表現(xiàn)上均有各自的特點(diǎn)。（剩余4698字）