蘇百鈞《洪荒萬靈圖》的色彩與意境
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Abstract：Su Baijun's "Primordial Myriad Spirits Scroll" was created in2020，duringthe initialoutbreak oftheCOVID-19 pandemic.Theartist eitherdirectlydepictedcontemporaryphenomenaof thepandemicoremployed specificpaintinglanguages to expresstheemotionsandtoughtstriggeredbythepandemic.Sizingthismoment，SuBaijunnrichedbyhisexprience， thoughts，andculturalfoundations，reatedaworktatembodies tranqulityastns，andanaturalhthmimbuedithase oforder：the"PrimordialMyriadSpiritsScroll."Theartistliberallyappledshadesofbue，green，ochreandyellowtodepicta primordialworld，whileusinginktosketchandtexturethecreatureswithin.Thegrandeurofsplashedinkandcolorcombedwith therusticandgedtexturesofthebshorkcosructsaamoosseneeredscapesforaandfuncoeistsate anartisticconceptionthatefectstheplosopicalideaof"Heaven，Earth，andIwerebotogether，andallthingsareoewith me".This paperaims toexploretherelationshipbetweencolorandtheconstructionofartisticconceptioninthe"PrimordialMyriad Spirits Scroll"， thereby revealing the contemporary expression of mythical creature-themed paintings.
Keywords：Su Baijun;"PrimordialMyriad Spirits Scroll";Color;Artistic Conception
0 引言
具有浪漫主義色彩的靈獸題材繪畫古已有之，且在不同的歷史時期呈現(xiàn)出其獨(dú)特性。（剩余7187字）