索爾·貝婁小說《赫索格》中的復(fù)調(diào)性
中圖分類號：I106.4
文獻(xiàn)標(biāo)識碼：A 文章編號：1671-9247（2024）06-0025-04
Abstract：TheAmerican literarycritic IvingHowedeclares that there isnotafullysatisfying denouement，anorganicfullmentoftheactioninthenovelsofSaulBelow，suchasHerzog.BasedonBakhtin’stheoryof tepolyphonicnovels，afteanalyzingthedetailsintenovel，thistesisputsforwardsthatIvingHowe'spointofviewisunilateal，ichhasignoredthepolonic artistic featuresofSaulBellow’snovels.Anopeninterpretationofthisnovel ircommended.Thepolyphonicfeaturesoftheentir novel，suchsoversaialaractesticsatialitychoicityenndsddingdteuceity incompletenessofthecharacterzationshouldbetakenintoconsiderationintheprocessofinterpretationoftisnovelinodeto beterunderstand thecharacteristicsofcomplexityambiguityand profundityof this noveland graspitsrichconnotation.
Keywords： Saul Bellow; Herzog;polyphonic features;carnivalizatior
歐文·豪（IrvingHowe）在評論索爾·貝婁的《赫索格》這部小說時，認(rèn)為其結(jié)尾是敗筆：“《赫索格》和貝婁的其他幾部作品《奧吉·瑪琪歷險記》、《雨王漢德森》里都沒有一個時間的節(jié)奏序列，小說沒有一個有機(jī)的、行動得以完成的、令人滿意的結(jié)尾。（剩余7287字）