辯證圖像：詩(shī)意紀(jì)錄片中的靈韻顯現(xiàn)
——以《天地玄黃》為例
中圖分類(lèi)號(hào)：J952 文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：1671-9247（2024）06-0021-04
Abstract：WalterBenjaminhasarguedthat mechanicalreproductiondeprivesartworksof theirAura.However，inviewof the dramatic changeintestatus and popularityofimages，itis necessry tore-examiethisissue.Georges Didi-Hubermanadopts AuratheorytointerpretworksofartsuchasMinimalism，takingdoubledistanceanddoublevisionasthetwobasicconditionsforconstructingAura.ThefimBarakausesunfamiliarimages，fragmentaryeditingndweakenednarativetodistancetheimagesfrom theaudienceandcompletesthesubjectobjectransformationwithtehlpofgaze，whichsuccessfullyinducesteadience’sunconscious memoryTus，the worksregainitsimmediacyandoriginalityrevealingitsAura.Troughthisguidedmeditationtedirectortries toexplaintotheaudiencetheultimateof teuniverse.However，thecommodificationand Westeideologyhave diminished its Aura， forming a paradox of the image.
Keywords：Aura;Poeticdocumentaries;Dialectical image;Baraka
“靈韻”（Aura）①的概念最早由本雅明（WalterBenjamin）提出，并在其后續(xù)的研究中不斷變化，但他大體認(rèn)為機(jī)械復(fù)制會(huì)使靈韻消失不見(jiàn)。（剩余10470字）