敦煌藝術(shù)美學(xué)文化格局生成邏輯研究
【中圖分類號】TB482 【文獻(xiàn)標(biāo)識碼】A 【文章編號】2095-7009（2025)04-0019-06
Research on Generation Logic of Aesthetic Cultural Pattern of Dunhuang Art
JIA Zhen
(LanzhouUniversity ofArtsand Science，Lanzhou 73oooo，China）
Abstract:Dunhuang was animportant passage for ethnic migration and integrationandaculturalconvergence center during the Medieval China. The aestheticof Dunhuang artreflects the unique aestheticconcepts，artistic styles and cultural heritage that Dunhuangart has nurturedduringits long development process.Itis not onlyaconcentrated embodimentof Buddhistart，butalsoanartisticcreation“activity”basedonthe“multi-dimensionalintegration”ofculturalforms.The core lies inits diversity，inclusivenessand continuity.The aesthetic andculturalpatternofDunhuang artis avivid manifestation of social evolution,influenced by multiple changes in politics，economy，religion and culture.It reveals theopen andinclusive symbiotic spirit of Chinese civilizationembodied in Dunhuang art，and forms a dynamic“evolutionary system"in the innovativeconceptofcommunication without unification and the integrationof diversecultures.It participates in cultural generation with systematic culturalthinking and resource-basedapplication methods，building a new context for artistic production.
Key words:Dunhuang art;aesthetics；cultural pattern；generation
一、引言
文化格局是指某一社會、群體或區(qū)域內(nèi)文化的整體結(jié)構(gòu)、分布模式及其內(nèi)在邏輯，體現(xiàn)為文化要素（如價值觀、習(xí)俗、藝術(shù)、制度等)的組成方式、互動關(guān)系及其對社會的深遠(yuǎn)影響。（剩余9389字）