在“出走的決心”之前出走
——《盛極一時的愛情》中女性形象的顛覆性表達
中圖分類號：J905 文獻標(biāo)識碼：A 文章編號：2095-6916（2025）10-0169-04
Rolling Away Before “Like A Rolling Stone"
-The Subversive Representation of the Female Image in Till Love Do Us Part Ma Shuang
（School of Journalism and Communication，Shanghai Jianqiao University，Shanghai 201306）
Abstract：InthemovieTillLoveDoUsPart，directedbyLiRan，afemaledirector’snarativeshowcasesfemaleselfawakening.It reflectsmodernChinesewomen'sdilemabetweentraditional genderrolesandpersonalfredom.Inthemovie，thedirectoraangesthe femaleprotagonst，ShuQiaoogbroad，heresheromanticallcoutersQiuFan，athaterartistlivingabrodTsetraaital encounterisdepictedasacatalystforherindividualawakeningQiuFanwithoutasteadylifestyle，adecentjob，orpowerandsocial capital，starklycontrastswiththestable，standardizedlifemodelofSuQiao’shusbandHuZhun，whoembodiespatriarchal capitalism.YetforShuQiaoQiuFanbecomesapassgetoanotherlife，whicheableshertoseeretlybreakthroughhercontradictions. TheireventualseparationredefinesintimacyItstepsoutoftetraditioalgndrelationshipativeframework．Whenfaitfultoa healthyand energeticrelationship，individualsfeel loyal tothemselves.
Keywords：female image;female movie；feminism;Chinesemovie
中國電影中女性形象的塑造在不同歷史階段呈現(xiàn)出不同特征，反映了社會文化觀念的變遷。（剩余5608字）