從“AI魔改”經(jīng)典國產(chǎn)老劇透視AI時代“數(shù)字記憶共同體”的構建及糾偏
Abstract：From the perspective of cultural memory theory，this study examines the phenomenon of"AI Magic Revision”“A-alteredremakes”ofclasicChineseTVdramas，exploring therisksofalienationandgovermancestrategies inthe reconstruction of“cultural memory sites”during the digital era.The widespread use of AIGC （AI-Generated Content）technology by internetusers to modify clasic Chinese dramas has triggered fourfold alienation incultural memory sites，covering cultural memory itself，value systems，creative technologies，and commercial capital.This alienationprocssisrimarilydrivenbythetripartiteforcesoftechnologapital，andiencepaticipation.Tddress these issues，this research proposes amultidimensional collaborative governance framework incorporating content regulation，technicalconstraints，platformaccountability，andmedia literacyenhancement.This frameworknotonly safeguards cultural heritage by preventing the fragmentation of cultural memory sites causedbyAIGC-induced alienationbut also fosters innovative expression by integrating digitalcontent production with positive potential.The study provides paradigmatic insights forcultural governance in thedigitalage，contributing to theconstructionofa techno-ethical cultural ecosystem.
Keywords：AIGC;“AI remixes”;cultural memory; content production; technological affordance
“三國變成了槍戰(zhàn)片，曹操舉起了機關槍；紅樓被改成了武打戲，林黛玉倒拔垂楊柳；西游記里唐僧師徒四人騎上了摩托”2024年12月9日，央視網(wǎng)發(fā)布了一條名為《AI“魔改”國產(chǎn)老劇引爭議，改編邊界在哪里？華妃騎摩托、悟空開飛船，AI視頻以假亂真》的報道。（剩余11755字）