從肅北五個(gè)廟看敦煌西夏石窟藝術(shù)的譜系

——五個(gè)廟石窟研究之二

內(nèi)容摘要：肅北五個(gè)廟石窟的西夏壁畫在敦煌石窟藝術(shù)中頗具特色。以五個(gè)廟西夏壁畫為紐帶，可以更加清楚地看到敦煌石窟西夏壁畫藝術(shù)發(fā)展演變的過程和西夏時(shí)期敦煌地區(qū)各個(gè)石窟群之間相互影響的密切關(guān)系，為構(gòu)建完整的敦煌西夏石窟藝術(shù)的譜系填補(bǔ)了重要缺環(huán)。

關(guān)鍵詞：肅北五個(gè)廟石窟；敦煌石窟；西夏時(shí)期；壁畫

中圖分類號(hào)：K879.21  文獻(xiàn)標(biāo)識(shí)碼：A  文章編號(hào)：1000-4106（2024）04-0073-13

The Genealogy of Western Xia Cave Art in Dunhuang Judging

from the Five-Temple Grottoes in Subei

—Serial Studies on the Five-Temple Grottoes （Ⅱ）

Zhang Xiaogang

（Archaeology Institute， Dunhuang Academy， Dunhuang 736200， Gansu）

Abstract： The Western Xia murals inthe Five-Temple Grottoes in Subei are quite distinct among Dunhuang cave art. By taking these murals as a style of art with its own historical genealogy， this study seeks to see the development and evolution of Tangut murals in the Dunhuang caves more clearly， and to understand the relationship among the cave groups in the Dunhuang region during the Western Xia period. This study provides the missing link for constructing a complete lineage of Western Xia cave art in Dunhuang.

Keywords：  Five-Temple Grottoes in Subei; Dunhuang Caves; Western Xia period; wall paintings

五個(gè)廟石窟是敦煌石窟群的重要組成部分，位于今甘肅省肅北蒙古族自治縣城北18千米處。（剩余19490字）