從《止痛藥》到《浮生》：陳倉(cāng)筆下的社會(huì)鏡像與人性探索
中圖分類號(hào)：I207.42 文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：1674-0033（2025）03-0019-05
From Painkiller to Floating Life： Social Reflection and Humanistic Exploration in Chen Cang's Works
ZHU Dong-li （Shandong Writers Association Jinan， Jinan 25Oooo， Shandong）
Abstract：Chen Cang isawriter rooted inhis hometown，and his life trajectory isa journey from rural civilization to urban jungle.Thisprocessof crossing from the countryside to the world of reinforced concrete not onlyshaped his unique insights into lifeand society，but also gave himinsight into the shared emotions of many new urban groups. Chen Cang devoted himself to telling the story of entering the city， delicately outlining the unique social mirror reflected in the historical tideand the tide of the times.They have a deep atachment to their homeland that is difficult to let goof，but deepdown in their hearts，they persistently long for theacceptance and recognition of the city.They yearn for the countryside while escaping，but struggle hard to establish themselves in the city in difficulties.
Key Words： Chen Cang; Painkillr;Floating Life; social mirror image; exploration of human nature
亞里斯多德在《詩(shī)學(xué)》中曾提出藝術(shù)是對(duì)自然的模仿，認(rèn)為藝術(shù)通過模仿現(xiàn)實(shí)來(lái)揭示普遍的真理。（剩余6368字）