“志”與“史”：《片警寶音》的現(xiàn)代性敘事與文化記憶
摘 要：電影《片警寶音》以民族志式的、新歷史主義的現(xiàn)代性敘事視角作為闡釋工具，將當(dāng)代中國時代風(fēng)貌的影像民族志式書寫醞釀其中，既保存了當(dāng)代中國的文化記憶，又附和和補(bǔ)全了歷史話語，對本土民俗和文化的保護(hù)和推廣投入了關(guān)注。
關(guān)鍵詞：《片警寶音》；民族志敘事；新歷史主義；文化記憶
“Aspiration” and “History”：The modern narrationand cultural memory of the film “Patrolman Baoyin”
Yuan Yuxin
（Shandong University of Arts，Jinan 250307）
Abstract：In 2018，the film Patrolman Baoyin，jointly produced and produced by the Propaganda Department of the Inner Mongolia Autonomous Region Committee of the Communist Party of China and the Public Security Department of the Inner Mongolia Autonomous Region，won the 18th China Film Huabei Award for Outstanding Ethnic Minority Films after five years.The film brews the image ethnographic writing of contemporary Chinese times，returns to the left place of national history，and makes up for the omissions，producing unique cultural memory.From the ethnographic and neo-historicist perspective of the modern narration of the film，and from the cultural memory of Asman back to the emotional reference of people in the film，the epic meaning of “ancient and modern drama” of Chinese national images can be analyzed.
Key words：Patrolman Baoyin;Ethnographic narration;New historicism;Cultural memory
位于中國西北部地區(qū)內(nèi)蒙古烏拉特后旗的戈壁灘上，有一位出生于20世紀(jì)70年代的人民警察寶音德力格爾，管轄著1672平方公里的區(qū)域長達(dá)二十余年。（剩余4684字）