楚辭之天象書寫
摘 要：楚國具有源遠(yuǎn)流長的天學(xué)傳統(tǒng)，因而楚辭中有大量的天象書寫。在巫文化和理性思潮的雙重影響下，屈原對(duì)天象的態(tài)度具有矛盾性，既在創(chuàng)作中大量運(yùn)用神話化的天象，又在《天問》中質(zhì)疑天文神話。楚辭之天象書寫具有抒情性、象喻性，在遣詞造句、謀篇布局上影響了漢賦之天象書寫。
關(guān)鍵詞：楚辭；漢賦；天象書寫
The Celestial Writing of Chu Ci
Liang Lidong
（College of Literature，Northwest Normal University，Lanzhou，730070）
Abstract：Chu State has a long-standing tradition in the study of celestial phenomena，which is reflected in the abundant descriptions of heavenly phenomena in the Chu Ci.Under the dual influence of shamanistic culture and rational thinking，Qu Yuan’s attitude toward celestial phenomena is contradictory.He extensively employs mythologized celestial imagery in his compositions，yet he questions astronomical myths in “Tian Wen” （Inquiry of Heaven）.The descriptions of celestial phenomena in the Chu Ci are characterized by lyricism and metaphorical language and have influenced the depictions of heavenly phenomena in Han Dynasty fu literature in terms of diction，sentence structure，and overall composition.
Key words：Chu Ci;Han fu;celestial phenomena depiction
江曉原認(rèn)為，“‘天文’與‘人文’‘地理’對(duì)舉，其意皆指‘天象’，即各種天體交錯(cuò)運(yùn)行而在天空所呈現(xiàn)之景象”［1］“古代中國人未能清楚地認(rèn)識(shí)到地球大氣層的存在，以及由此造成的諸氣象現(xiàn)象與天文現(xiàn)象的根本區(qū)別，遂習(xí)慣于將二者等量齊觀。（剩余10635字）