從唐代人物畫中看哲學(xué)色彩觀

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摘 要：中國(guó)傳統(tǒng)繪畫色彩觀孕育在東方文化精神之中，建立在哲學(xué)思想之上，在漫長(zhǎng)的發(fā)展中形成了中國(guó)畫特有的藝術(shù)語(yǔ)言和審美品格。本文遵循歷史演進(jìn)和發(fā)展的過程，從唐代人物畫的角度入手，探究唐朝人物畫哲學(xué)基礎(chǔ)、賦色風(fēng)格及歷史價(jià)值，并結(jié)合當(dāng)今多元文化發(fā)展的背景，在保持中國(guó)畫色彩審美特點(diǎn)上提出自己的觀點(diǎn)及看法。

關(guān)鍵詞：唐代人物畫；五行五色；佛教繪畫；色彩；傳承轉(zhuǎn)型

Abstract： The color concept of traditional Chinese painting is nurtured in the spirit of oriental culture and founded on philosophical thoughts， which has formed the unique artistic language and aesthetic character of Chinese painting in the long development. Following the process of historical evolution and development， this paper explores the philosophical basis， color style and historical value of figure painting in the Tang Dynasty from the perspective of figure painting in the Tang Dynasty， and puts forward its own views and opinions on maintaining the aesthetic characteristics of Chinese painting color in combination with the background of today’s multicultural development.

Keywords： Tang Dynasty Figure Paintings；the theory of five elements and five colors；buddhist painting；color；inheritance reforming

1 唐代人物畫中的哲學(xué)基礎(chǔ)

中國(guó)傳統(tǒng)美術(shù)是哲學(xué)文化的藝術(shù)，中國(guó)傳統(tǒng)色彩觀的歷史淵源最早要追溯到春秋時(shí)期產(chǎn)生的五行五色學(xué)說。（剩余5464字）