東方色彩美學(xué)與西方色彩美學(xué)之異同

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摘 要：探究東方色彩美學(xué)與西方色彩美學(xué)之相同與差異，從東西方色彩獨(dú)特的民族性審美觀念和鮮明的象征性運(yùn)用，闡釋東西方色彩的共通之處。從色彩在東方的中國(guó)是視覺意象性在于色彩的“以象達(dá)意”“情景交融”和擬人化“生命”的三個(gè)層面，折射與闡釋東西方色彩在民族思想、情感、審美傾向等方面存在的本質(zhì)區(qū)別。

關(guān)鍵詞：審美觀；象征性；以象達(dá)意；情景交融；擬人化“生命”

Abstract： Explore the similarities and differences between Eastern and Western color aesthetics， and explain the commonalities between Eastern and Western colors in terms of their unique national aesthetic concepts and distinctive symbolic use. From the visual imagery of color in Eastern China lies in the three dimensions of color， namely， "using images to convey meaning"，"blending of scenes" and anthropomorphism of "life"， which refracts and explains the commonalities between Eastern and Western colors in terms of national thoughts， emotions and aesthetic tendencies. The essential difference between the East and the West in terms of national thought， emotion and aesthetic tendency.

Keywords： Aesthetic concept；symbolism；imagery to convey meaning；mixing of scene and mood；anthropomorphizing "life"

基金項(xiàng)目：本論文系2023年度國(guó)家社會(huì)科學(xué)基金藝術(shù)學(xué)重點(diǎn)項(xiàng)目《亞運(yùn)美學(xué)的國(guó)家形象設(shè)計(jì)研究》階段性成果（批準(zhǔn)號(hào)：23AG015）。（剩余5133字）