藝術(shù)史學(xué)語境中的弗朗西斯·培根技藝史編纂計劃

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By placing Sir Francis Bacon， a preeminent figure in early modern European science and philosophy， in the historical context of art and craft writings and by outlining and sorting out the purpose， content， and characteristics of the history of arts and crafts as conceived by Bacon， this paper attempts to point out that while Bacon's groundbreaking epistemology can undoubtedly present the practical artisanal experiences， the very authorship assigned to the literati rather than practitioners， even if it is expedient， announces the ultimate fall of the utopian Baconian project.

在意大利藝術(shù)家喬爾喬·瓦薩里（Giorgio Vasari）再版其《卓越畫家、雕塑家與建筑家傳記》（1550/1568）前的第七年，弗朗西斯·培根（Francis Bacon， 1561-1626）（圖1）在末代都鐸女王伊麗莎白一世統(tǒng)治下的倫敦誕生了。（剩余4660字）